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台风残涡疯狂“洒水” 强降雨又杀“回马枪”_我的网站

一 |     每日商报讯 台风过境，本已偃旗息鼓的高温又重振旗鼓，昨天，杭城迎来久违的阳光，主城区跃上35.7℃，高温叠加高湿，有种重回“黄梅天”的错觉。    

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。不过，台风残涡并未就此作罢，“尾巴”还将持续洒水。截至昨日19时，杭州市主城区、临平区、临安区等多地发布暴雨黄色预警，余杭区发布暴雨红色预警。为什么明明台风已经停编，却还在大面积“洒水”？市气象台解释，从卫星云图上来看，“白海豚”的残余环流结合了西风槽以及台风的尾流，共同组合成为范围广阔的降水系统。

二 | 而在天气形势图上，这片降水系统的东边和西边都是高压系统，导致降水系统相对较为稳定。受其影响，杭州在短期之内多雨的天气格局不会改变。值得注意的是，接下来强降雨还可能会杀个“回马枪”。这是因为，“白海豚”的尾流里西南季风和高压底部的东南气流交汇，还将催生出新的低压系统，未来“白海豚”的残余低压缓慢东移，与东边新生低压逐渐靠近，进一步增强杭州上空的辐合上升运动，加上季风源源不断输送水汽，预计今明两天杭州的降雨量将会明显增大，局地可能出现短时强降水、雷雨大风等强对流天气。好在，等这波雨水过去，本周日将迎来降雨暂歇，全省以多云到阴为主，部分有阵雨或雷雨，算是难得的“中场休息”。另外，台风还在扎堆生成，今年第17号台风“浪卡”（热带风暴级;英文名称Nangka;名字来源:马来西亚;名称意义:又名菠萝蜜果，黄色椭圆形状，是马来西亚非常流行的一种水果）于昨天上午在西北太平洋洋面上生成，下午5时许位于距离日本东京东南方向约1510公里的海面上，预计将以每小时30—35公里的速度向东北方向移动，未来“浪卡”对我国无影响。可以说，8月以来台风似乎无间断，如此密集生成是不是有点反常？其实，西北太平洋和南海一年四季都可能有台风生成，7月至9月是台风活跃季，8月台风生成的数量与登陆我国的个数均居于全年首位。8月平均有5.63个台风生成，其中2.3个登陆我国。近期台风密集，总体也符合常年规律，历年8月台风生成数最多的是1960年，多达14个。

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Published on:01:31:03